Confused About Your Career? Hire the Experts

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Are you looking for a new job? Want to give your career a new direction? Do you need help in finding a new job or taking the next step in your career? Many times, people either feel shy or too insecure to take a drastic step in their career. They feel a little lost and nervous about it because when it comes to career, it is hard to know which step is right and which is not.

In order to create a successful career, you should first know your inner thoughts and beliefs. You have find out what you are good at, what you enjoy doing, which are the things that matter to you in life and what motivates you. These are the key questions which must be answered correctly in order to find the right career path. But most of us, feel quite confused while answering them.

Won’t it be easy to have someone to guide you and help you in answering these questions? Getting career advice from a professional can be just the thing you needed to find the right career path for yourself.

Well if you are looking for such a helping hand, then Career Energy is the right place with you. They are pioneers in career advice and outplacement of high rank officials. They can help you in finding a new job, guide you in reaching your career goals faster and more efficiently and will coach you to make your career long and successful.

Their experienced career consultants work with each of their clients on personal level. You can contact them by phone or Skype or visit them in their Birmingham office. The great careers advice will surely help you create a career path that will lead you to your ultimate career objective.

The Story of a Year Told with One Photo a Day

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Flickr has a cool group project in which group members each day take a self portrait, tag it with “365days,” and submit it.

Below a small selection from a member with the screen name “everythingsjustjake.”

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I love this idea. What a fantastic way to tell the story of a year and be able to look back at each photo and remember what you were experiencing and feeling on that day.

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Questions About Organizational Storytelling, Linguistic Sensemaking, Antenarrative?

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David Boje is one of the leading scholars of organizational storytelling. I encountered large bodies of his work while in my PhD program, and I must admit it takes me an enormous amount of effort and brain power to wrap my head around his research and concepts. But he has a prodigious Web presence, so there’s no lack of material to try and understand.

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One of the newest — or at least one that I have most recently come across — is StoryOrgs, described as a “Knowledge Sharing site where we explore the mysteries of organizational storytelling and linguistic sensemaking together.” The site is a place where folks can pose questions about Boje’s concepts. A few samples:

  • Does restory unearth submerged narrative/antenarrative patterns?
  • Derrida and deconstruction vs storytelling and antenarrative?
  • What academic pursuits have been facilitated by antenarrative based story analysis?
  • How do we explain zen koans in linguistic or antenarrative terms?
  • End and means, is an END an ANTEnarrative or not?
  • The limits of language and sensemaking?
  • What is NOT an antenarrative ?!?
  • Experimental methods for antenarrative research?
  • What is the difference between story and narrative?

The concept of “antenarrative” is one of Boje’s most significant contributions to organizational storytelling research. StoryOrgs clearly needs users to understand antenarrative and links to this explanation in its FAQs:

Antenarrative is defined as a ‘bet’ on shaping the future, and a ‘before’ a full blown stable narrative has been constructed.

For first use of term ‘antenarrative’ see: Boje, D. M. 2001. Narrative Methods for Organizational and Communication Research. London: Sage.

Antenarrative is defined as “non-linear, incoherent, collective, unplotted, and pre-narrative speculation, a bet, a proper retrospective narrative with Beginning, Middle, and End (BME) can be constituted” (Boje, 2001: 1). Antenarratives are “in the middle” and “in-between” (Boje, 2001: 293) refusing to attach linear BME coherence. Whereas, most BME narratives and narrative fragments are retrospective (backward-looking) antenarratives are more often prospective (forward-looking). BME Narratives must achieve coherence, developmental plots required by narrative theorists (Gabriel, 2000:20, 22; Czarniawska, 1997: 79, 98; 1998: vii, 2).

Routledge is releasing a book: Storytelling and the Future of Organizations: An Antenarrative Handbook, David M. Boje, Ph.D., Editor

StoryOrgs is characterized as being different from discussion boards and the like because:

  • It has a simple question-and-answer (Q&A) approach
  • Knowledge is naturally organized by a flexible, faceted tag-based topic system (folksonomy)
  • The system automatically protects the community from irresponsible online behaviors
  • It offers many social media features such as newsfeeds, alerts, profiles,

Pet-Loss Stories Sought

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Robin Souers (who happens to be my sister) is writing an article or perhaps a series of articles on pet loss and grief.

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She’s seeking stories that are more than just facts. “I’m especially interested in the thoughts and feelings people experience when they lose a pet and how they cope,” she says. The stories can concern any kind of pet, and any kind of loss.

Incentives/rewards may be available for stories she uses in the article.

Robin asks that folks email submissions to her.

Anecdote’s Story Finder Is a Treasure Trove

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A week or so ago, a friend asked me to help her come up with a seven-minute story to read for a Toastmaster’s assignment.

I was flummoxed and disappointed with myself. Here I am exposed to stories all the time, but I lacked any type of mental or virtual database from which I could easily draw a story that would meet my friend’s needs.

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But that same day, I got a newsletter from Anecdote, the Australian consulting firm, that announced its Story Finder. There it was — a database with a slew of topics, arrange alphabetically, each topic with at least one story just a click away.

What a fabulous resource!

Anecdote also unveiled its new Web site, the firm having previously told its story in a blog format.

Will You Take the 12-Week Story-Blogging Challenge?

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Michael Margolis has proclaimed a 12-week story blogging challenge for himself and has invited others to join him. He’s challenged himself in conjunction with his Social Media Jedi Program, which launched last week. The challenge is to blog at least weekly.

In the comments to his entry announcing the challenge, I said:

Great idea, Michael. How do you define “story blogging” and how does it align with “personal musing[s], stream of consciousness idea[s]?” (He had used the terms “personal musing, stream of consciousness idea” to describe what he would be doing during the challenge.)

Michael used my comments as the jumping-off point for a subsequent blog entry elaborating on what he meant by “story blogging.” Here are some excerpts:

For me story is more than just performance/telling/anecdotes. Story is about relationship; who am I; where do I belong; what is mine to do?

Story blogging is about bringing people into one’s world through conversation and dialogue. It begins by seeking to map, explore, and understand convergence and context. I stand at the unique intersection of many worlds. I’ll be sharing many of these musings and reflections in real time.

Story blogging. There’s a quick recipe I’m playing with:

  1. Passion – this is the fuel and motivation that lights the fire. If it doesn’t excite me and give me energy, how I can possibly expect to do the same for you?
  2. Perspective – point of view is what gives it all distinctive flavor. The same reason why FOX NEWS and MSNBC are succeeding, and CNN is flailing.
  3. Relevance – discussing issues, questions, and challenges that others can relate to – that’s what makes the whole meal easy to digest, puts a smile on people’s faces, and encourages people to come back.
  4. Nourishment – is what I’m trying to create through my story blogging. Provide meaningful, playful, and generative contribution into readers’ lives.

Michael also says he’ll clarify some of the principles of story blogging during the 12-week challenge.

Since my personal mandate is to blog daily, blogging weekly isn’t much of a challenge for me. But I could challenge myself during this time to “story blog.”

How about you? Will you take the challenge?

Facebook Stories: Story Data from Large, Diverse Population

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My blog feed runs on Facebook, where occasionally, my entries generate more comments than they do here on the actual blog.

Such was the case with my followup blog entry about Facebook marking its 500 millionth user by launching Facebook Stories. The entry generated a lively discussion on Facebook among me, Terrence Gargiulo, and Sean Buvala.

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Terrence first wanted to know: “Do these read as stories? How would you characterize the range of ‘story responses?’”

My response:

Well, I think they present the same problem as the 6-word stories. These Facebook Stories are limited to 420 characters. So, my answer to your first question is “Some of them, yes.” The important thing though, I think, is that Facebook chooses to mark its 500 millionth user with some form of stories.

To which, Terrence said:

I agree. I think its wonderful that Facebook is inviting stories. Perfect … and there are endless trails of interesting events, occurrences, connections, relationship healing, etc… What got me excited is this is a huge amount of story data collected quickly from a large and diverse population with a clear, powerful trigger, that is resulting in a horde of stories. As aficionados and armchair anthropologists and social scientists, we have one of the best collections. We can see and understand what others think of as story … how they frame them … what they feel comfortable sharing when it’s a wider audience, etc… I’m interested in the richness of the story forms. Categorizing them as stories or not is probably not as useful for generating insights and understanding of how people interact with their innate story capacities and needs.

As you can see by my emphasis, I found Terrence’s point about this rich story-data collection very important. After all, outside of perhaps, Google, on what other site could we encounter so many users and their stories?

At this point Sean had chimed in. He hadn’t yet looked at any of the Facebook Stories, but as a story purist to whom a strict definition of story is important, he speculated, “I bet we will see metaphors, anecdotes and gossip, but not many actual stories.” Later, though, Sean came back and said, “Having looked at few, there are some real story gems in there.” He also agreed with Terrence that Facebook Stories “is indeed a lab. … there are windows of understanding present in all forms of narrative.”

In his initial comment, Terrence had also asked: “Are you aware of which stories pique more interest and why?” I wasn’t sure what he was getting at, so I asked him to elaborate.
Here’s what he said:

I’m curious to observe in myself and hear from others how certain stories co-mingle with our own experiences of Facebook. What stories am I attracted to? Why am I attracted? What’s the relationship between the strength of my experience and the experience of someone else … how often or does it trump even well-told (more formed) narratives even with the constraints of 420 characters? That’s what was on my mind. Any examples come to mind for yourself?

I took some time to explore Facebook Stories in greater detail. Stories are organized by these themes: causes, celebrities, college, communities, crime fighting, education, family, friendship, government, grief, health, lost and found, love, military, movements, music, natural disasters, parenting, peace, pets, politics, religion, rescues, reunions, small business, sports, support groups, travel, and other. I’m interested in whether the categories were established first, and users submitted stories around the categories — or if the opposite is true — users submitted stories, which naturally fell into these categories. I suspect the latter, which makes Facebook Stories all that much more interesting as social science.

It’s fairly clear which categories are likely to make for the most dramatic, story-like stories — natural disasters, grief, lost and found, rescues. The most heartwarming — family, friendship, love, pets, reunions. To answer Terrence’s question, those are probably the types of stories I’m most attracted to — because I always seek peak emotional experiences. The most humorous categories are — perhaps college and sports? It also strikes me that a fair number of stories on the site are not in English, and you can find a lot of repetition and a lot of non-stories. In most cases, I do not think these stories trump Terrence’s “well-told (more formed) narratives,” although I’m surprised at the emotional power some of these 420-character pieces offer.

Here’s a nice example — definitely a story — that appears in both the Natural-Disaster and Rescue categories:

When the earthquake destroyed Haiti, our girls were saved and taken to safety by a complete stranger that I found on Facebook. These girls were missing for over a month. I had no contact in Haiti and went to work making connections on Facebook with people around the world who were working there. I sent photos via Facebook, and I got a call saying the girls were found. They were sick, alone, hungry but ALIVE!

And a nice one from the Reunions section:

Through Facebook, I reconnected with a brother I hadn’t seen in 28 years and a sister I’d never met. My dad, who had 3 kids from a previous marriage, died in 1979, and I lost touch with my siblings who lived with their mom. I’d been trying to find my brother for years and was considering hiring a private detective. It was wonderful to see him again. He looks like my dad and me. Today we were all reunited.

Terrence had asked about “the relationship between the strength of my experience and the experience of someone else.” I found several stories in which the the strength of my experience matched the experience of others. Indeed, I was tempted to submit one or more Facebook stories but felt far too constrained by the 420-character limit (however, perhaps that limit means Facebook can collect more stories). I could have written about how (rather pathetically), Facebook probably comprises about 95 percent of my social life. I care deeply about Facebook friends I’ve never met. I wept when my husband told me last year that we had far exceeded our Internet data plan, and I would have to curtail Facebook use for a few weeks. I might have written something along the lines of this Facebook note in which I talked about how much my Facebook friendships mean to me (if you’re not on Facebook, you’ll probably have to join to read the note). Or about reconnecting on Facebook with my childhood best friend after 45 years and later having a face-to-face reunion with her. Or about how friends came together to share their grief and celebrate the life of a dear friend who died suddenly and very unexpectedly in May. Or about having been an early adopter (2005) of Facebook so I could use it to connect with my current and former students.

Q&A with a Story Guru: Eric James Wolf: Exciting Projects in the Works

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See a photo of Eric his bio, Part 1 of this Q&A, Part 2, Part 3, and Part 4.


Q&A with Eric James Wolf, Question 5:

Q: You seem to have lots of storytelling projects going on and more planned for the future. Which projects are you most excited about now?

A: Depends on which day you ask me. Right now I am pretty excited about these projects:

Q&A with a Story Guru: Eric James Wolf: Storytelling Award Means the World

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See a photo of Eric his bio, Part 1 of this Q&A, Part 2, and Part 3.


Q&A with Eric James Wolf, Question 4:

Q: You are to receive the Oracle Award in recognition of your work as producer and host of the Art of Storytelling with Brother Wolf Show during the last evening of the National Storytelling Conference this month [July 2010]. What does this award mean to you?

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A: The National Storytelling Network is made up of some of the most committed people, and I am very flattered to be respected and held up by such a fine group. This award means the world to me — I have honestly never received an award for my work with storytelling — mostly because most award applications require things like a written application. I stopped doing that stuff years ago… after I didn’t get the 20th grant [I submitted a] proposal [for].

Q&A with a Story Guru: Eric James Wolf: He Seeks Passion and Expertise in Podcast Guests

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See a photo of Eric his bio, Part 1 of this Q&A, and Part 2.


Q&A with Eric James Wolf, Question 3:

Q: In your list of questions for me*, you asked what characteristics attract me to the story practitioners I interview in my Q&As. Let me turn that question around and ask the same of you: What do you look for in the storytellers you interview in your podcasts?

[*Eric interviewed me here.]

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A: Passion and expertise is key. I am continually surprised by America’s willingness to listen to people who are not experts in their field. I think we are continually in love with that idea of western — that somehow that myth has affected or shut off that part of our brain that goes — “How long have you been doing this?”

I mean, I have guests who have been telling stories for 50 years — 50 years! — and then I have people who come up to me and say - I should be on your show! I am doing this cool thing. So I say; “How long have you been doing this cool thing — whatever?” — They say; “A year.” A year! Like that’s a long time. Again I think it’s the myth of the frontier. But the thing about the western motif is it writes out a whole group of people who were there first — in fact who spent 6,000 years there first. Those are the people I really what to have on my show. You know the natives….